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Editor's Note — Spring 2018

Eric Gershon

Eric Gershon

There was a time when I lived a few blocks down the street from an art museum with no entrance fee. When I was out and about running errands, I’d sometimes pop in to see my favorite painting, Van Gogh’s “Night Café.� I’d go straight to it, imagine the inner lives of its figures, picture myself in the scene, marvel over the thickness of the paint and brushstrokes — evidence of Van Gogh’s own hand.

The whole visit would last five minutes.

Then I’d be on my way, pleasantly jolted by a brief encounter with genius.

In °Ç¸ç³Ô¹Ï, the CU Art Museum’s increasingly rich collection offers its own delightful opportunities for communing with artistic splendor. Thanks to the pending arrival of the Sharkive (page 15), visitors — you, perhaps? — will be able to behold work by legends of printmaking, including Red Grooms, John Buck and Betty Woodman.

Stopping by could make your day.

Admission’s free.

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