Film Studies
On what would have been her 100th birthday, Marilyn Monroe still defies the image society gave her, says CU °Ç¸ç³Ô¹Ï film historian Clark Farmer.
With the Nov. 26 cinematic release of Hamnet, CU °Ç¸ç³Ô¹Ï scholars consider what we actually know about the famed playwright and why we’re still reading him four centuries later.
The CU °Ç¸ç³Ô¹Ï Cinema Studies and Moving Image Arts assistant professor is finding success as an independent filmmaker.
The films of 1975, currently featured in CU °Ç¸ç³Ô¹Ï’s International Film Series, reflected the times and the culture in ways that hadn’t been seen before, says film scholar Ernesto Acevedo-Muñoz.
Aspiring filmmaker and CU °Ç¸ç³Ô¹Ï senior Francesca Hiatt’s short film, Cherry Yogurt, relies on subtlety to touch on grief and support, viewed through children’s eyes.
Fifty years after Jaws made swimmers flee the ocean, CU °Ç¸ç³Ô¹Ï cinema scholar Ernesto Acevedo-Muñoz explains how the 1975 summer hit endures as a classic.
What happens when a freshly minted film studies graduate heads out into the world with no particular plan? How A&S alum Patrick Hoffman went from taxi driver to private investigator to successful author.
Following a blockbuster opening weekend for ‘Captain America: Brave New World,’ CU °Ç¸ç³Ô¹Ï’s Benjamin Robertson reflects on the appeal of superhero franchises and why they dominate studio release schedules.
In honor of what would have been Al Capone’s 125th birthday, CU °Ç¸ç³Ô¹Ï cinema researcher Tiel Lundy explains the enduring popularity of gangsters in film and the American imagination.
John W. Comerford, who discovered the power of film at CU °Ç¸ç³Ô¹Ï, arranges major gift to its Brakhage Center for Media Arts.